將人體的運動與建筑的靜止相結合
創作更有活力的獨特的建筑攝影作品
Vital Visions: Why Capturing Movement Will Elevate Your Architectural Photographs

由專筑網鄭善廷，小R編譯

Architizer一年一度的“一張照片挑戰“活動為專業人士和嶄露頭角的設計專業學生提供契機，展示他們認為最能捕捉建筑設計或特定環境精髓的照片。2021年的活動吸引了一系列精彩的攝影作品，所有這些都展示了參賽者們通過相機鏡頭捕捉建筑的潛力。

我們對每個作品都進行了專門的分類，但即便在不同的分類的一部分作品中，一個顯著、突出的主題浮現了出來。我們注意到，在去年的活動中，許多照片展現并表達了強烈的運動感。我們挑選了來自2021 年活動中的四張照片，這些照片探索了在有趣的建筑中的人的形態，并展現強烈運動感的場景。

Architizer’s annual One Photo Challenge offers professionals and blossoming design students the chance to showcase a photograph that they think best captures the essence of an architectural design or specific surrounding. The 2021 One Photo Challenge brought a wonderful selection of images, all of which demonstrated the potentiality of capturing architecture through a camera lens.
While each entry was remarkably singular and distinctive, a notable overarching theme emerged across a handful of photographs. One will notice that in last year’s One Photo Challenge, many photographs capture a strong sense of movement. Listed below are four photographs from the 2021 One Photo Challenge, all of which explore the human form coupled with interesting architecture to produce movement-heavy imagery.



“Social Bathing”（社交浴場） / Derek Wasylyshen

這張鳥瞰圖展示的是一個非常著名且很有特色的Széchenyi藥浴。這個大型浴場位于匈牙利布達佩斯，是一個很受歡迎的旅游景點，游客可以在這里體驗社交沐浴，并驚嘆于該遺址的古羅馬歷史。

乍一看，映入眼簾的是充滿活力的水藍色，與周圍的水泥地面形成鮮明對比。接著，視線轉移到遍布整張照片的大量的“點“（人體）。 人在這樣的尺度下顯得很小，但龐大的數量營造了強烈的社會性和社區感。此外，很多人慵懶地躺在浴池邊緣的臺階上，三兩成群，形成了圍合感，這同樣強化了強烈的社交氛圍。

大量的水和豐富的人體形態共同創造了一張充滿運動感的照片。無論是水的自然韻律還是嬉戲的人群的動作和行為，都產生了活潑的能量，這與古羅馬的社會意識形態有異曲同工之妙。

This image captures a bird’s-eye shot of the hugely popular and highly recognizable Széchenyi Medicinal Bath. Located in Budapest, Hungary, this large-scale bath is a popular tourist attraction where visitors can experience social bathing as well as marvel over the site’s ancient Roman history.
At first glance, the eye is caught by the vibrant aqua blue water, which greatly contrasts the surrounding cement floor. Following this, the gaze moves to the abundance of dark spots (human bodies) that span the entire photograph. The moving bodies are small in scale but their abundance creates a strong feeling of sociality and community. Moreover, the gently-sloping staircase that covers the bath’s perimeter is filled with lounging bodies, which equally enforces a strong social atmosphere.
The large presence of water and abundant human form work together to create a movement-heavy photograph. Whether the movement is caused by the natural rhythm of the water or the frolicking bodies, lively energy is produced and the same social ideology of the ancient Romans is presently felt.



“The roofscape of the obscure”（朦朧的屋頂風景） / Venla Rautajoki

這是在2021年的活動中職業組的獲獎作品。

這張照片似乎給人一種浩渺太空的氛圍，這使它吸引眼球并令人著迷，并且同樣具有競爭力。 這張照片是在JKMM建筑事務所設計的Amos Rex藝術博物館里拍攝的，位于芬蘭赫爾辛基。

Amos Rex博物館以其窗戶圓頂而聞名，這些圓頂橫跨城市環境，就像一系列山丘一樣。 每個圓頂都有一個足夠大的窺視孔，供博物館內的游客向外看。當時，攝影師被一個不斷爬上穹頂偷看內部博物館空間的小男孩吸引了。黑白的畫面讓小男孩在照片中格外突出。這個男孩在畫面中呈現了一個非�；顫姷淖藙荨�—他的兩只手匍匐著，一條腿彎曲，仿佛在爬山。

由于背景黑暗且沒有修飾，圖像起初看起來是靜態和孤零零的。然而，在這樣的背景中，保持這樣姿勢的小男孩脫穎而出，反而給觀眾一種活潑的形象和運動的感受。

Non-Student Winner, 2021 One Photo Challenge
This photograph has an extra-terrestrial feel, which makes it immediately enthralling and equally challenging to pinpoint. The image was shot at Amos Rex, the famous art museum in Helsinki, Finland designed by JKMM Architects.
Amos Rex is known for its windowed domes that span the urban environment like a series of hills. Each dome has a peephole large enough for visitors inside the museum to see out of. The photographer was immediately captured by a young boy who continuously climbed atop the domes to peep into the interior museum space. The image is captured in monochrome which strengthens the viewer’s gaze on the young boy. The boy is captured in a highly active pose — his two hands perched like a cactus and his leg bent as if he’s climbing.
The image at first appears static and isolated as the background is dark and unembellished. However, the focus on the young boy positioned in such an active stance lends a feeling of lively existence and movement.



“Yoga”（瑜伽）/ Edmund Sumner

這張照片于2020年1月拍攝于泰國曼谷。圖片中的是瑜伽大師兼工作室所有者Yogi Konstantin Miachin，他保持著一個瑜伽中伸展的姿勢。除了人物本身，這個作品中另一個吸引人的地方在于這個空間內部的結構。

空間感覺親密而溫暖，被一種竹子式的材料包圍著，這種材料自然地彎曲包裹著墻壁。墻體材料向上延伸，形成一個非常規的弧形天花板。此外，墻壁上的空隙讓光線充滿室內，使整個環境變得溫暖，并讓正在練習瑜伽的人成為視線的焦點。柔和的光線的引入讓整個房間感覺就像一個無與倫比的充滿禪意的舒適的空間，可以練習瑜伽和冥想。

在這張照片中，人以一種和諧的方式與周圍的結構達到了平衡。練習瑜伽的人可能會覺得空間很小，但他強有力的姿態和伸展的手臂讓整個場景充滿了能量。四周彎曲的線條和充滿張力的天花板同樣傳達了這樣的活力。這個項目由建筑公司Enter Projects設計，室內采用了藤條等自然材料，結合Rhino等三維建模工具設計實現的。

This photograph was shot in Bangkok, Thailand in January 2020. The image depicts a yoga master and owner of the studio, Yogi Konstantin Miachin, holding an extended side-angle pose. Immediately what captures the eye is the incredible structure in which the yoga master is practicing.
The space feels intimate and warm and appears to be enclosed by a bamboo-esque material that wraps the walls in a curved manner. The wall material extends upwards to create an unconventional curved ceiling. Moreover, the cavities in the wall allow light to fill the interior, warming the environment and spotlighting the practicing yogi. The light-filled room feels like an incredibly zen and comforting space to practice yoga and meditation.
In this photograph, the human form balances and compliments the pronounced structure in a harmonious manner. The practicing yogi may feel small in scale, but his strong pose and reaching arm fills the photograph with energy. An equal vitality is felt in the structure’s curved and pronounced ceiling. The site was designed by architecture firm Enter Projects and the photograph was realized using low-tech materials such as rattan, with newer high-tech computer modeling such as Rhino.



“Echo”（共鳴）/ Philippe Sarfati

這張照片給人一種神秘、戲劇性和令人難以置信的迷人的感覺�！盎芈暋蔽挥诎蔡僦倚鄣漠嬂�，展出了著名古巴裔美國藝術家Félix González-Torres的自傳裝置。這張照片描繪了一個人走過一個由紅白珠子制成的大型窗簾一樣的裝置的場景。

該裝置突出了艾滋病毒感染者的困難和現實。珠簾直接、真實地展現了病毒在血液中的擴散。 當人推開窗簾時，可以感覺到珠子的劇烈晃動。

這張照片感覺就像暴風雨前的平靜——正如在這個裝置被觸動并引發后續強烈的碰撞前的靜止。這張照片中人與物體之間的互動展示了從靜止到運動的劇烈轉變。

This photograph feels mysterious, dramatic and incredibly intriguing. “Echo” is located in Tadao Ando’s gallery and features an autobiographic installation by the famed Cuban-American artist, Félix González-Torres. The photograph depicts an individual walking through the installation, which consists of a large-scale curtain made of red and white beads.
The installation underscores the difficulties and reality of living with HIV. The curtain of beads represents the progression of the virus within the bloodstream in a confronting and honest manner. As the person pushes past the curtain, one can sense the dramatic sway of beads that is to follow.
This photograph feels like the calm before the storm – before the intense movement following a disrupted installation. The interaction between human form and object in this photograph demonstrates a dramatic transition from still to moving.


所有四張照片都突出表現了當在靜態環境中完美捕捉人的形態時，就有可能創造出生動活潑的景象，這是一種對生命、對運動的贊美！

All four photographs highlight that when human forms are perfectly captured amongst static surroundings, there is the potential to create lively and active images that celebrate movement! Click here to learn more about this year’s upcoming 2022 One Photo Challenge and to start your entry: